digital downloads

MARIA CHAVEZ & LUCAS GORHAM "Live At Jewels Catch One"

Ratskin Records

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“Live At Jewel’s Catch One” is a live collaboration between renowned abstract turntablist, and sound sculptor Maria Chavez and avant-garde guitarist Lucas Gorham. This collaboration afforded us with a unique opportunity to work with both artists and release a sonically and conceptually beautiful sound work. Both Chavez and Gorham are known internationally for their acute investigations into improvisational sound, the complexities of chance improvisation and free-jazz inspired compositional methods, unifying the breath of all sounds big and small, and seemingly the very essence of sound herself.

On “Live At Jewel’s Catch One”, the duo creates a deep, rhizomic, sonic investigation of texture and rhythm that span deep listening through chance operations. Synthesizing the space between Chavez’s uniquely brilliant and idiosyncratic methods of turntablism and Gorham’s fractured, abstracted lap-steel guitar/electronics work, a beautiful sonic adventure emerges. Chavez’s extended technique of turntablism, chance operations and compositional strategies pull equally from John Cage, Elaine Radigue, Pauline Oleveros and DJ Premier alike.

Gorham creates a landscape of cauchopanous peaks and cavernous valleys through string-based sonic articulations as Chavez’s cut up, broken loops sew a city of beauty and acceptance atop the rigid rumblings of Gorham. Despite not being able to hear each other in the original performance due to a monitoring issue (there were none) Chavez eloquently plays off the landscape, using her methods of change and trust in her collaborator, drawing a complex web of cracking architecture and shifting temporal spaces. Chavez creates looping shards, created with such nuance and intimacy they present themselves like mysterious gifts to the listener, magnifying both the richness and impermanence of sound. Through her own decades-long investigation of all aspects of the turntable as both instrument and vessel for experimentation, Chavez has repurposed the mechanics and all of its idiosyncrasies as her own once again, playing off Gorham’s abstract lap-steel guitar work perfectly. This collaboration is rooted in trust, chance, and the intricacies of sound and space themselves. A process, at least in Chavez’s work, usually reserved for live performance only, we are more than honored to be able to present this live document to those who couldn't attend the original performance.

“In the late 1990s/early 2000s in Houston, TX, an experimental music workshop for young people helped to forge a lifelong friendship. Focused on the improvisation of sound and the development of an individual approach to it, this weekly workshop also helped to shape the creative course of both of these artists for the rest of their lives. Almost two decades later, on April 28, 2018, this friendship culminated in a long-awaited performance at Jewel’s Catch One, a night club in Los Angeles. Maria Chavez (turntable) and Lucas Gorham (lap steel guitar) give their first live performance together here. Due to an error that must have been a lapse in production logistics, the sound person working that night neglected to provide monitors, and neither could hear each other nor themselves for the entire duration of the performance.

Gorham managed to bring a mobile recording set-up and captured the result, which pleased both artists.”

-Lucas Gorham

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GOLDEN CHAMPAGNE FLAVORED SWEATSHIRT Expectant

GOLDEN CHAMPAGNE FLAVORED SWEATSHIRT

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Black femme producer, Multi-disciplinary artist and curator, Golden Champagne Flavored Sweatshirt has announced her debut full length record, titled “Expectant” available for preorder now, and set to release on November 20, 2020 on Oakland based imprint Ratskin Records​. GCFS has crafted seven songs of futuristic, electronic-based soundscapes.. The tracks on “Expectant” span from psychedelic post-industrial chaos to more minimalist, hypnotic ambient soundscapes. The closing track, “Animals Calling Animals” perhaps the album's most visceral composition creates an intense fever-dream like climax compared to more hypnotic, ambient tracks such as “Pyroclastic Flows”. Without ever losing focus, or a central theme of distance space, and surrealism, the sounds of “Expectant” create an unwavering investigation of distortion and sound; bringing the listener into a tense and psychedelic journey. The themes of duality present throughout this record cannot be ignored. “Expectant” is at once, both aggressive and comforting, overwhelming and peaceful, terrifying and beautiful. With hammering, blistering eruptions of percussion carefully layered over dense worlds of buzzing,undulating synths, and layers of ripping twisting, organic sound-collages to boothe sound of “Expectant” is both explosive and new and carries these dualities throughout.

GCFS’s “Expectant” makes huge strides in both concept and feel from earlier self-released works, creating tracks that are both visceral and technically engaging, idiosyncratic and speak to layers of collective subconscious of sound. “Expectant” shines a highly-focused yet surreal lens into the despair and desperation of an entity in chaos. “Integrating the personal and political nature of creating art under capitalism has been an intense journey of self actualization. This is to remember these feelings, this time, this part of my story.” “The access and ability to create sound has been one of the most cathartic experiences I've had so far in life. Recording music has completely changed the way I approach other types of artistry; as well as shaping my relationship to self. “

Preorder on CD / CS Oct 2, , 2020 via Ratskin Records credits releases November 20, 2020

Bio: Golden Champagne Flavored Sweatshirt is an electronic music producer, curator, and multi disciplinary artist. Working with sound, video art, live and recorded performances across a myriad of disciplines and aesthetics. As an artist, cultural contributor and advocate for Black creatives; GCFS connects artists across mediums to create meaningful cultural exchange. Golden Champagne Flavored Sweatshirt has performed at Voltage Drop Industrial Danceclub, Pro Arts Gallery Hybrid Series, International Noise Conference , STASIS Festival of Sound, KFJC 89.7FM and is featured on ROGUE PULSE/GRAVITY COLLAPSE compilation.

goldenchampagneflavoredsweatshirt.bandcamp.com goldenchampagneflavoredsweatshirt.com

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New section

JOEL SHANAHAN - Frozen Clock Hovering 2x

Joel Shanahan

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We are beyond excited to be releasing this breathtakingly stunning and heart-felt work of contemporary/future electronic music from Portland-based producer Joel Shanahan (Golden Donna, Auscultation, Puritan Waste, et al.) “Frozen Clock Hovering” takes the form of two sixty-minute cassettes housed in an elaborate box-set / art-edition style packaging, as well as digital download.

For his first release for Ratskin, Shanahan presents a prescient double full length cassette album spanning mixed genre electronics with heavy cinematic overtones. Fresh off his LP as Auscultation for the 100% Silk label, Shanahan's newest release under his own name, "Frozen Clock Hovering" explores complex, esoteric rhythmic zones, sewing dense forests of electronic drones all in crescendo, heavily mixed with lush, otherworldly ambient spaces which, in harmony, act as a guide for the previously uncharted sonic journey that is "Frozen Clock Hovering".

“Frozen Clock Hovering' was simultaneously an attempt to seek comfort through creation, as well as raise the question—"When will this all end?" Musically, this work was inspired by early intersections of jazz and electronic music—like collaborations between jazz superheroes like Joe Henderson and Herbie Hancock and legendary synth explorer Dr. Patrick Gleason. It also draws from other early electronic music and music concrete works, as well as meditative synth work, and the patient passages of folks like Andrew Chalk and Drunjus. I'm sure that to most listeners, this work will likely and rightfully pale in comparison to the aforementioned references, but this is definitely what I was listening to and feeling inspired by when I recorded this work, also Mike at Ratskin asked me to write a blurb, otherwise I would probably say very little, as I'm usually not one for "artist statements." From an emotional standpoint, this collection was created in the shadow of lingering pain, trauma, and general futility in tandem with the heartbreak of a failing and now finished relationship with someone I was very in love with. It sits in a contemplative purgatory, as I try to figure out how to scale its towering walls and pull myself out.” - Joel Shanahan

“Frozen Clock Hovering” is at once both dark and hopeful, disorienting and insightful, melancholy and victorious. Through a meticulously idiosyncratic creative process, Shanahan has created a contemporary electronic music masterwork, bridging ambient and modern dance music. The nuance, care, and intentionality put into these compositions help solidify a psychedelic musical offering worth engaging in completely. The sounds of Frozen Clock Hovering oscillate just underneath our eyelids to sew warm beds as temporary respite. Electronic pulses trigger huge electronic events, shooting us into space and slowly recoiling back through the cold atmosphere. plunging into the cold barren sea, leaving a faint crease in the sky, like brushes painting a sonic map to unknown futures, when you look back up into an unknown space all you can see is one, isolated Frozen Clock Hovering,

“Frozen Clock Hovering” is available for preorder July 3rd, 2020 and released Sep 4, 2020

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Tyler Holmes "Nothing"

TYLER HOLMES

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For their new two song EP, “Nothing” Oakland, CA based producer and multi-disciplinary artist and Ratskin Records collective member Tyler Holmes offers us two brand new compositions “Nothing” and “ Rinse [Breath Play]” Through intense voice and breath manipulation backed with their minimal yet powerfully presented electronic based compositions, nodding to Holly Herndon, Xiu Xiu, and Cocorosie, Holmes offers two forcefully elegant and haunting tracks both separate from but in dialogue with their upcoming full length LP “Nightmare In Paradise” on Ratskin in Fall 2020. Holmes once again tightropes a complex web of emotion, sound and movement within their own sonic world into a pair of sonically powerful worlds. We hope you appreciate these beautiful electronic compositions as much as we do. \

Reviews/Press: "DEVIL" Review In : The Wire Adventures in Modern Music - November 2019 Astral Noize UK astralnoizeuk.com/2020/04/15/sleeve-notes-005-ratskin-records/ “...the daring noise-meets-R&B of Tyler Holmes...Holmes is a perfect example of Ratskin’s role in the scene, their experimental sound splicing the harsh with the playful and thus seemingly appealing to no established genre.” Underscore Music Magazine: www.underscoremusicmagazine.com/stream-tyler-holmes-everything-will-be-destroyed/ "Holmes draws as much in their sound from Trent Reznor and Mariah Carey alike, but this startling reinvention may be the first glimmer of a Tyler Holmes qua Tyler Holmes. Gone are the erotic industrial sounds, the sultry mid-aughts funk and futuristic diva-rap from recent albums and demos. Soon we may be reviewing new albums by new singers unmistakably influenced by Holmes, and we’ll look back on this song as the watershed moment when that Tyler Holmes sound was born. Don’t miss this indispensable piece of history." More Info / Links: Music Video For “Two Tylers” : www.youtube.com/watch www.ratskin.org/artists/tylerholmes.html tylerholmes.bandcamp.com

TYLER HOLMES (They/Them) is a music producer, singer-songwriter, and performance artist who uses music as a therapeutic device. Holmes creates a manic digital-age take on soul singing by blending a variety of vocal genres including R&B, Folk, Goth and Gospel. Autobiographical and absurd, their writing is alluring and uncomfortable, both brutal and beautiful, bringing the audience into a shared space of healing and catharsis. They perform with constantly changing electro-acoustic arrangements, always finding new ways to showcase an intimate horror. This summer Holmes released 'Devil' on Ratskin Records, and created a music video for the single "Two Tylers' with Berkeley auteur Chani Bockwinkel. The video tackles themes of cults, domestic violence and control and how these themes interact with and affect queer black and brown people. 'Devil' also features 'Everything [Will Be Destroyed]' with Bay Area queer cellist Peekaboo, which was recorded as the theme for 'CAMP CHAOS' starring Matthew Camp for Men.com.

This summer Holmes' also released a drag gaymer music video with L.F.C., their post-VR girl-group with vainhein [Daddies Plastik] entitled 'How Did I Get Into This Bikini.' Tyler also wrote and recorded the theme for Men.com’s inaugural scene interpreting the iconic “Tom Of Finland’ also starring Matthew Camp called ‘Untitled,1957.’ Most recently, they released an EP of unreleased and rare material: “HER IS” for Bandcamp Day. credits released May 1, 2020

“Nothing EP” Artwork , Cover by Adrian Octavius Walker

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DIGITAL ONLY

Onyx Split Series One

HILLBOGGLE / NERFBAU

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"Onyx Split Series One" is the first installment of the next iteration of our split single series. The first was the GOLD BOX which featured twenty artists featured across ten cassettes, all doing 2:30 tracks. The first is Hillboggle on the A side and Nerfbau (RK/MD) lineup on the B side. This is the first new NERFBAU material since co-founder and brother Jsun Adrian McCarty tragically left this mortal coil in the ghostship fire on Dec 2 , 2019. This release is for him.

Hillboggle is the nascent "noise-grass collaboration" of San Francisco recorder Derek Gedalecia and his father David on banjo and dobro, debuted in 2013 as a cassette b-side through Derek's prolific Headboggle project. Imagined as a way to explore the elder Gedalecia's own experiments with unconventional sounds in the 60s -- Dwight Pavlovic, Crash Symbols

Nerfbau are wrestling foam-choked streams and sunless oil-slicked oceans back into cataracts of blinding consciousness. Theorems are laid forth herein as "Error Swarms” and proofs conducted using custom sequencers, laryngopharynx, reprocessed wind instruments, guitars, sound-object graphical processors and Dow Chemical's styrenefoam modified with Cyanoacrylate. - Resipiscent Records

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DAX PIERSON "Live In Oakland"

Ratskin Records

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“Don’t take your physical abilities for granted, for you can lose them, with a snap of the neck,” Pierson chants, as the manipulated vocal loop meets dense, orchestral synthesizers and undulating drones that escalate into a triumphant, cinematic beat for “A Snap of the Neck”, the album’s powerful opening track. Genre wise, Live In Oakland defies categorization; seamlessly blending elements from hip hop, dance music, experimental electronics, and free improv/radio art into an idiosyncratic electronic style.

Further into the album, “Treading Water” a offers a dense, complex balancing act of IDM and musique concrete in which Pierson samples and sequences the sounds of the medical equipment and motorized wheelchair that has been a part of his life since his 2005 accident. Pierson has relentlessly persevered through these physical limitations and endless learning curves by focusing his practice to unique interfaces with both software and hardware to produce an ineffaceable body of live and studio recordings.

Aesthetically, Live In Oakland blends heavy, multi-layered polyrhythmic percussion with sharp, mechanized, arpeggiated synth lines, meticulously sequenced transitions and geometric time changes which dramatically stop, start and pivot on an invisible dime. Field recordings, manipulated voice samples, and swelling synthesizers create unexplored caverns of ambient textures accentuated by bright percussion and synth leads. The A side was recorded at the legendary Oakland DIY venue LCM (Life Changing Ministries) and the B-side was captured more recently at the 3-day Stasis Festival at Pro Arts Gallery in downtown Oakland. While studio productions of many of these tracks exist, this live pairing of Pierson's work serves as an intimate and focused glimpse into the intensity and veracity that the tracks possess, especially within a live, free-form setting. The performances stand both on their own as individual live sets, but they also operate as continuum, and the result is a sonically deep, compositionally and conceptually complex offering from one of the bay area's most hardworking, esoteric and innovative producers.

BIOGRAPHY Dax Pierson is a musician/producer who has called the East Bay home for 20 years. He was co-founder of the bands Subtle and 13 & God, a touring member of left of center hip-hop group Themselves and an associate of the Anticon collective. In 2005 Subtle encountered black ice in the middle of the country while on tour and flipped over, leaving Dax with a spinal cord injury in the 5th and 6th vertebrae. Since his individual fingers are now paralyzed, Dax has switched to using a laptop controlled with iPad apps in order to produce. The last 12 years have been spent exploring the possibilities that technology could offer, often with time-consuming learning curves. His work is currently informed by limitations, college radio segues, hip-hop, ‘90s post-rock, odd time signatures, new techno, ambient drones, bobbing head beats and sentimentality.

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New section

Devil

TYLER HOLMES

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Tyler Holmes has crafted another deep, nuanced, and starkly honest EP titled “DEVIL” which is out on Ratskin Records August 30, 2019. The first visual “Two Tylers” recently premiered via The Bay Bridged to critical acclaim. “Two Tylers” is a visually stunning and conceptually complex execution of the minimally stark track, telling the story of the dualities of life and all of it’s intricate complexities. Holmes pulls from Chris and Cosey, Bjork and FKA Twigs for a soft and hypnotic vocal delivery backed with minimal, murmuring synths, selective percussion and a haunting tension gluing the tracks together. “DEVIL” is the next evolution in Holmes constant refining of their sonic palette, stripping out the maximalist approach that was used on previous releases and focuses on sonic archteypes that twist and turn the production into a beautiful, albeit slightly unsettling EP. Their three previous releases, “Invisible Island” , “DEMO” and “SPORT: Deluxe” all displayed uniquely varied styles of experimental electronic offerings, blending electro pop, noise, industrial, hip hop, and neo-classical, all uniquely gelled within radicalized, queer framework, exploring both the self and the community that they artistically operate within. “DEVIL” is the sonic continuum of all three of these works, distilled down to their strongest components, which give “DEVIL” a refreshing yet familiar sonic palette for Holmes fans to grasp onto. The first single, “Everything (Will Be Destroyed)” was commissioned and written for the series “CAMP CHAOS’ featuring Matthew Camp.

“DEVIL” serves as the prologue to the forthcoming LP “Nightmare In Paradise” due out on Ratskin Records in Spring 2020

“As a child my father told me all the ways I could and would allow the devil into my life and why this would send me to hell. This EP maps the ways we create a self fulfilling prophecy because we are told we are inherently “evil.” we search out the “devil” and allow it into our bodies, minds and lives. Resulting in the living hell we were promised by our fathers. We make it true because we think we deserve it.” - Tyler Holmes credits released August 30, 2019

Written, Produced, Recorded, Played by Tyler Holmes Mastered by Michael/ Daddona Ratskin Records 2019

Everything (Will Be Destroyed) created for the series CAMP CHAOS Featuring Cello - Peekaboo Flute - Lou Coy

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XUXA SANTAMARIA "Chancletas D"Oro" LP

Ratskin Records

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XUXA SANTAMARIA "Chancletas D"Oro" LP

Chancletas D’Oro, XUXA SANTAMARIA’s third release and second full-length LP, is a loose concept album focused on exploring femme and womxn narratives drawn from both history and works of fiction. Side A employs reimagined myths, fables, and original fictional narratives to create songs that challenge or obfuscate the received ideas around feminine agency, motivations, and desire. In Puro Animal and King Marsile, Córdova recasts fictional characters (from “Dracula” and “The Song of Roland” respectively) who originally were little more than victims or mute accomplices within their narratives as willing participants in their own corruption or liberation; White Pine uses the text of an early 20th century poem about tribal life in the Pacific Northwest, written by a white trapper, as a means to simultaneously twist and redirect the white gaze in on itself while still celebrating the knowledge of land and sea possessed by this continent’s first peoples. The Borges-inspired Rudos Del Mar, written while Córdova was traveling along the coast of Chile, details the odyssey of a group of pirates patrolling the seas beyond the edges of language, reason, and time; closing out the side, Color Of The Dark is a (comparatively) straightforward ode to lust, love, and ego disintegration between bodies of color within the darkness of a dance club.

Side B pulls from historical narratives, with subjects ranging from queer silent film star Alla Nazimova in Jardin de Alla to the Puerto Rican syndicalist and feminist pioneer Luisa Capetillo in ¿Quien Lleva Los Pantalones? The last three tracks of the album follow the stories of collective and individual revolutionary womxn; in River Neva, the International Women’s Day March in 1917 which kickstarted the Russian Revolution and the massacre on Bloody Sunday over a decade earlier drift into each other, as the lyrics imagine the march morphing into a psychedelic battleground on a frozen river covered with blood. Heaven’s Gate Path dramatizes the work of the womxn truck drivers of the North Vietnamese army, who risked life and limb to transport vital goods during the American War of Imperial Aggression (known in the U.S. as ‘the Vietnam War’), following them through humid jungles bombarded by artillery and fire, while ¿Quien Lleva Los Pantalones? closes out the album by using the story of the Puerto Rican syndicalist movement and Luisa Capetillo to meditate on the struggle for freedom, not only from the injustices of US empire but from the confines of gender roles and tradition.

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New section

WIZARD APPRENTICE "I AM INVISIBLE"

Ratskin Records

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or their Ratskin Records debut, “I Am Invisible”, Wizard Apprentice reveals thirty two minutes of experimental, folk-oriented compositions for voice and electronics spanning across a vast landscape of melody, space, contemplation, storytelling, and idiosyncratic compositional strategies. “I Am Invisible” is an intimate exploration of the complexities of Carter’s vast array of folk based strategies of interpretation of meaning, memory, structure and form. Through warm, cinematic, funky, arpeggiated synthesizers, elegantly crafted string sections, complex, multi timboral drum programming and a uniquely refined, intimate, vocal presentation, Wizard Apprentice offers her most venerable and focused work to date. Catch her on a US tour starting September 14th at Pro Arts in Oakland, CA, running through November 2018. Advanced copies of “I Am Invisible” will be available on her US tour and released through the label on 9/28.

Wizard Apprentice is an independent electronic music producer, motion graphics and live performance artist. As a highly-sensitive introvert, her multimedia projects are strategies for energetically managing an overwhelming world. Her music is a combination of lyrical precision, minimalistic composition, and technically amateurish charm. She creates digitally-based media that takes advantage of accessible, user-friendly technology; allowing her to skip time consuming learning curves and get straight to focusing on inventing personalized yet highly relatable language for deeply subtle and internal experiences. She's not a gear-head, rather, a digital folk artist who vividly and simplistically expresses her inner world using resourcefulness and honesty. Her video work incorporates green screen graphics, digital puppetry, and minimalistic compositing to produce imagery that’s cerebral, campy, and hypnotic. She combines song and video to create multimedia live performances that explore intimate emotional themes ranging from the challenges/triumphs of being an empath to overstimulation in the Internet Age.

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S P O R T : DELUXE

TYLER HOLMES

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Styling & Photography Ja Der Hair by Jillian Gnarling Graphic Design by vainhein Produced by Tyler Holmes Tracks 3 & 4 Recording and Additional Production by E Track 4 Features a sample from 'Female Trouble' 1974 by John Waters Track 5 Clarinet by Craig Calderwood Track 8 Sampled Vocals of Niv Melamed Track 9 Acoustic Guitar by Jeremy Rourke & Taylor McElroy

Side A 2015 / Side B 2013-2017

LOVE YOURSELF

Ratskin Records 2017

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New section

Empire Underwater

CORAL REMAINS

The seminal studio album from this ominous project fusing influences from Tetsuo The Iron Man to Wolf Eyes and everything in between, LAST COPIES AVAILABLE on white/iceberg vinyl.

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DEMO

TYLER HOLMES

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Unlike the hodgepodge of sounds on Invisible Island, DEMO narrows its focus to experimental pop with an interplay of textured electronics that shift from soaring and melodic to gritty pounding to droning. The project is eclectic in typical Holmes fashion, but the artist swaps the rap and R&B elements of their previous work for a deeper exploration of electronic subgenres like noise, synthpop, and industrial. Styling, Photography & Graphic Design by vainhein Track 1 Produced & Recorded by vainhein Track 2 Produced by Eddie Gessford Track 3 Vocals by Eddie Gessford Track 3 Remixed by Matt Gonzalez Kirkland Track 4 Vocals & Lyrics by Violet Millhouse Rose Aura Track 4 Synth by Aja Archuleta & Tyler Holmes Track 4 Recording, Mixing,Clarinet, Loops by Alexa Christine Burrell Tracks 4,5,6 Produced by Tyler Holmes

Press "I've always responded to variety, so I think expressing variety in a way that is palatable and pretty is really what I would like to do," Holmes says.

Makeup artist Jader transformed Tyler Holmes into an otherworldly alien for the album art of Holmes' project, 'Invisible Island.' Makeup artist Jader transformed Tyler Holmes into an otherworldly alien for the album art of Holmes' project, 'Invisible Island.' (Jader) Holmes built on that foundation for their new EP, DEMO, which came out last month digitally and on cassette through Ratskin. It takes its name from the idea that human beings are always evolving -- a demo version of ourselves, never a finished product.

Holmes made the project in the wake of a four-year relationship. "Invisible Island had a lot of things with video games and drugs, being lit," says Holmes. "DEMO is a little bit more introspective; it's more about me viewing myself as a demo or an almost finished version and being okay with the different demos instead of being any one thing."

DEMO Review. via HOUDINI MANSIONS. 1/11/18 "Tyler Holmes Is Here For Your Inner Freak" . KQED Arts. 11/16/17

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New section

LOACHFILLET "Death & Dissatisfaction"

Ratskin Records

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"DEATH AND DISSATISFACTION" is the seminal work from Bay area recording artist, archivist, and DJ Loachfillet. This cut brings together forty minutes of masterful tape woks, creaking, crawling, and slowly surrounding the listener with horror and awe. originally released on CHOCOLATE MONK (UK) on a limited edition cassette. Now it has been brought to life on chrome hi bias cassette and digital editions! credits

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BEAST NEST "Taste of India"

Ratskin Records

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"Taste Of India" is the third album from the ever prolific artist, musician, teacher and healer known as BEAST NEST (aka Sharmi Basu) . "Taste Of India" continues in the vain of her sophomore release "Songs For Puppies" but focusing even more on the drone, ambient side of her practice leaving behind the harsher cuts for future considerations. "Taste of India" is a nearly forty minute journey through lush, harmonizing tones, breathing, humming synthesizers , hissing, spacious dripping oscillators pulsing a pleathora of micro tonal structures of healing, relaxation, trauma, horror and so much more. Beast Nest is one of the most underrated projects in the bay area and it's time you got hip to it. We at RATSKIN are more than honored to release this beautiful, complicated, cavernous sound work into the world.

BEAST NEST is Sharmi Basu's primary performing project. She utilizes an unwavering depression & restrained horror to channel left-eyed spirits. While simultaneously clearing and entering, the sewage pipes of the body and the patriarchy congeal into watery soundscapes as a vehicle for achieving liberation through the darkest of fears. All music composed, produced, and performed by Sharmi Basu

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WEBSTORE EXCLUSIVES

CORAL REMAINS "Coastal Ruin"

Ratskin Records

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Released in conjunction with the "Empire Underwater" 2014 US Tour in an edition of 100, with transparent covers and full color velcro slipcases.

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New section

TRALPHAZ "Vortex"

Ratskin Records

" I'm so glad to see Tralphaz back at it again. This is basically just a straight up harsh noise album with a layer of formless, psychedelic sci-fi synth textures in the background that add that extra trippy depth. I love the first track as it's the good old frantically shifting Tralphaz sound. I can't wait to hear more new material from David Lim." credits released February 20, 2016

Artwork and Audio by : David Lim www.tralphaz.com

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BONUS BEAST "Hardcore Brain Damage"

Ratskin Records

Oakland's Bonus Beast goes for the industrial damaged skull throb gold with his sophomore release for Ratskin, blending harsh, syncopated industrial beats, distorted apreggiated electro synths, and mis behaving drum machines for an all analog cacophony stew of jams for the damaged noggin. "Hardcore Brain Damage" is the culmination of over a year of King honing this sound through small edition demos and cryptic releases but this album comes full circle. Slicing its way into a post industrial tape hissed, beat driven apocalyptic wasteland of confusion and nerves tightening. Sounds like he went into the future with a tape machine and magnified the uncertainties of contemporary recording and brainwave modification techniques . For fans of early Esplendor Geometrico, Pam Sonic, Nocturnal Emissions, John Bender etc.

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New section

V/A ROGUE PULSE / GRAVITY COLLAPSE

Ratskin Records

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ROGUE PULSE / GRAVITY COLLAPSE TEN CDr ARTIST EDITION BOXSET

(((LIMITED EDITION PRE ORDER EDITION SOLD OUT ))))

STANDARD LIMITED EDITION BOX SETS INCLUDE: One artist edition box and slipcase 10 discs of music housed in original art print sleeves 16 page booklet with liner notes, writings, and credits One full color 5x7 limited edition print One photograph High quality download in choice of format, media and image files included

Includes unlimited streaming of ROGUE PULSE / GRAVITY COLLAPSE Benefit Compilation via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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New section

FLESHLIGHT "FLESHLIGHT"

Ratskin Records

Freshman release from this obscure Oakland based synth project, FLESHLIGHT. Five super composed already. Recorded live to tape live with no overdubs, and mastered by Jeff Cook from MANSION.

RONNY BURKE FOREVER <3<3<3 REST IN POWER RAWNMOWER. credits released April 19, 2015

Recorded by Fleshlight. Oakland, CA 2014 Mastered by Jeff Cook. Oakland, CA 2015 Artwork by : Adam Drawdy

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New section

BLACK DOG "S/T"

Ratskin Records

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Bay Area avant metal / thrash / hardcore supergroup BLACK DOG belts out a thick, slab of distorted, double bass laden chaos. Pummeling drums, screeching guitars backed with thick slabs of low end from Benson's bass rig, and Miss Ian's pummeling percussion, BLACK DOG is a force to be reckoned with. The metal band that will ruin your punk show with FUN and fierceness.

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SLANTED SQUARE "Three Sides"

Ratskin Records

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SLANTED SQUARE is the solo musical project of David Montoya of Bitter Fruit, Cartoon People, Centre, Lobot Gallery, and a million other bands, projects and more. After seeing Montoya selflessly taking a back seat role in all aspects of the music, art, and radical scenes, it's exciting to say the least to see this collection of solo works take form and release. Existing in a void between psychedelic angular pop rhythms, soundtrack music, noise, rock, and even EDM, "Three Sides" examines the dualaties of the everyday through beauty, cynicism, complexity, tone, decay, color, and rhythm. On "Three Sides", Montoya crafts a delicate, intricate, detail oriented, and necessary musical offering which we couldn't be prouder to offer to the RATSKIN family and beyond.

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New section

MAYA SONGBIRD "Welcome To The Darkside"

Ratskin Records

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“Welcome to the Darkside” is the follow up EP to "Queen of Darkness" released in 2015 on RATSKIN. “Welcome to the Darkside” is the full production debut by Maya Songbird with Co-Production by Jon Jon Cassagnol of The Grease Diner Studio. "WTTD" sprawls between heavy, funky rhythms, soulful, honest vocal progressions, heavy a tonal percussion,and structurally sound compositions of love, lust, critique, revenge, and humanity. Don't sleep on this as this Ep is sure to get the dance floor moving with a lustful fervor! Welcome to the Darkside of Black Disco!

www.mayasongbird.com www.thegreasediner.com

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Mental Decay

BONUS BEAST

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Amiable agent of pure chaos, Ryan King, moves like an animated line drawing, a high voltage wireframe that arcs easily and often, tazing or enlightening those around him. Musical instruments were invented for characters like this. King will hover towards a table of circuits the way a big bug gravitates to smaller bugs, their mere presence amplifying whatever freak plasma surges through his limbs. Once he sets to work, shedding his chrysalis to reveal wet shuddering wings, the whole living world offers itself up to loving devourment. Present yourself, when Bonus Beast appears live at Second Act ahead of his forthcoming LP release "Mental Decay".

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New section

LAS SUCIAS "Salte Del Medio!"

Ratskin Records

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Las Sucias is a feminist noise duo formed by Danishta Rivero and Alexandra Buschma. The Oakland based group's chaotic mix of influences range from old school Caribbean styles such as Reggaetón, Dembow and Dancehall, to Noise, European 1960's vanguard, Goth, Riotgrrrl Punk, Free Jazz, Experimental and Industrial. Additionally their sound was shaped by BOMBA and GAITA DE TAMBORA DE VENEZUELA, styles that already contain a blend of the cultures of Venezuela and Puerto Rico respectively.

MUSIC VIDEO:

www.youtube.com/watch?v=RDlTgY5n5_c credits released April 22, 2016

All music composed, produced, and performed by Danishta Rivero and Alexandra Buschman www.sucieria.com

Recorded, mixed, and Mastered by Jacob Felix Heule. Recorded at Life Changing Ministry, Oakland, CA November 2015

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LOACHFILLET / YURT YURT "Gold "

Ratskin Records

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On the A side. Oakland's Loachfillet rips through a harsh, slow pulsing, mind bending amalgamation of mangled churning tape loops, and analog synth low end madness. On The B side, Toppo Brillo's Yurt Yurt project carves out a more subtle modular synth and field recording microsound pillars that swell and pulse with a minimalist breadth but intensity swells on the backbone. . Raw and unique approaches to synths, tapes, and homemade weaponized sounds.

(as part of the 10 x C5 "Gold Box" Boxset/Instrument to be released dec 7, 2013!)

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New section

New section

V.E.X "Insectsex"

Ratskin Records

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V.E.X. aka Ventriloquest Ectoplasmold Xanaxax offers up their RATSKIN RECORDS debut in the form of "Insect Sex" A thirty minute tour de force of cabaret industrial , dark, synth and drum machine forward offerings. Released early for their European Tour, "Insect Sex" offers V.E.X.'s strongest and most focused output yet

all songs written/performed by Lu Lu Gamma Ray and Roxy Monoxide copyright 2016 Live studio performance recorded and mixed on cassette four track by Roxy Monoxide.

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New section

MALOCCULSION "Psychosis Industrial Complex"

Ratskin Records

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MALOCCULSION "Psychosis Industrial Complex" is the first official release from oakland's Malocculsion. Psychosis Industrial Complex melds blown out distorted beats, arpeggiated synths, tape manipulation, voice, field recordings and homemade oscillators to belt forth a dark, unique offering of post industrial, prison music.

“A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.”

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V/A FUCKED UP REIGN, FUCKED UP RAINBOW

Ratskin Records

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This limited edition tour compilation was pressed as. 25. CDr's and 25 cassettes which are all but long gone. This combines experimental, funk, disco, blown out acid, and just about everything in between.

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New section

DEMO 1980

CYBORG EYE

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CYBORG EYE, an Italian horror inspired psychedelic sewer mashup of nostalgia horror archetypes, club beats, The Beyond and the Blood rave sceme from Blade.

"Mysterious duo Cyborg Eye throw down the robot gauntlet in this all-too-brief glimpse into the cybertronic future of earth, where the machines have won. These two electronic prophets, known only as Cyborg V and Cyborg D, skip straight to the end of the story with a twelve minute synth-looped, beat-laden end credits sequence called Dawn Cut (Extended Version.)

This track is followed by a deleted extra fight scene titled Visitor, that is dominated by aggressive knuckle popping, numchuck twirling, and gathering of henchmen, culminating in passages of synth hooks and drum breaks. It is a face-off like no other, that will end in bloo

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DISAPPEARING "Untitled"

DISAPPEARING

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captured in winter 2017 by rain lucien matheke

www.iamjustaghost.com www.patreon.com/rainlucienmatheke

Disappearing is a rule-based project of Rain Lucien Matheke, an interdisciplinary artist and cat mother based out of Los Angeles. Rain is a trans woman living with a rare primary immune deficiency disease. She holds a Master’s Degree in Visual Art from California State University, Northridge, and has exhibited and performed throughout California, as well as in Nebraska and New York. The result of the growing necessity for greater attention to themes explored in other live settings, disappearing is focused on the use of tape loops, tape machines, and effects as a means of exploring concepts of decay, loss, memory, and transformation. credits

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New section

BLACK SPIRITUALS Black Interiors

Ratskin Records

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Zachary James Watkins | studies in harmonic strings and room resonance |

Recorded and Mixed while on residency in Slaton Texas at waterSpace 227 and the Headlands Center for the Arts Gymnasium 2014/2015.

01 Temperament 8:10 02 Radius 8:38 03 Location 7:00 04 Mass 3:17

Marshall Trammell

Recorded and Mixed at Avast Studios Seattle, WA by Randall Dunn.

05 Attentiveness 13:18 06 Tempestuousity 11:13

Recorded in isolation, Black Interiors reveals an examination of the members of Black Spirituals as solo artists applying their crafts to specific circumstances, environments, locations. Together we offer you meta-praxical artwork that is completely new for us, and something we have rarely heard from other musicians.

This cd was compiled to support a four-city Black Spirituals East Coast tour in September 2015 culminating in a premiere... more credits released September 18, 2015

Mastered by Jacob Felix Heule

Image Design by Amy Turgor and inspired Margarito O’s live video work.

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New section

SPELLLING "Pantheon Of Me"

LP

SPELLLING "Pantheon Of Me" LP

"Blue (american dream)" video: www.youtube.com/watch

youtube preview: www.youtube.com/watch

Oakland. Freak Faith Folk. Let the spirit ride. Oakland’s Spellling (Chrystia Cabral) took the Bay Area scene by storm her first two years as a performing artist, with her demo version of "Pantheon Of Me" charting at Bandcamp’s #7 album of 2017. “Pantheon Of Me” demo received glowing reviews from Pitchfork, Tiny Mix Tapes, KQED, and was named one of 2017's top new local artists by the East Bay Express. This November, Ratskin Records is proud to release “Pantheon Of Me” fully remastered for all formats, first on 12" LP, followed by cassette and digital versions. “Pantheon of Me” combines dark freak-folk, neo-soul, industrial, and pop sensibilities into forty-two minutes of haunting, elegant dark vocal forward futuristic electronic music. Cabral recently released a 7’’ single on Sacred Bones Records, but “Pantheon Of Me” is her first full-length album, and we couldn’t be happier to be releasing it with the world on LP/Cassette/Digital this December.

“Listening to it feels like searching through a pitch-black house for secret performances that slowly reveal their process. It’s nonlinear textures recall Geidi” Primes-era Grimes, with dashes of New Weird American mysticism and divine soul.....” -Jenn Pelly, Pitchfork

"The songs on Pantheon of Me are fluid and nonlinear. They don’t oscillate between parts. They’re largely relieved of rhythmic underpinning. Instead they swell and billow outward, or else hover, wraithlike, in absorbing reveries. There’s gossamer guitar and streaks of stardust synth, beading keys and low-end murk. And sometimes the most stirring passages are spare save for one tone pulsing lighthouse-like in the distance. " - Sam Lefebvre, East Bay Express

follow her work and buy new recordings at: www.spellling.bandcamp.com
credits released December 10, 2018

Recorded , Mixed, Produced by : Spellling in Berkeley, CA

Front back photographs: Kristin Cofer

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V/A: SENTIENT SOLDER II

Ratskin Records

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V/A: SENTIENT SOLDER II

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WEBSTORE EXCLUSIVE RELESASES

HEADBOGGLE "POLYPHONIC SOLO" (website exclusive)

Ratskin Records

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ORIGINALLY released as a 3'' CDR for the special edition of "Polyphonic Demo" , we now bring you "Polyphonic Solo" as a ratskin.org website exclusive download!

This will not be reissued in physical form, nor posted on bandcamp. The only way to get it is here.

Expected release: November 27, 2020

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